- Pro pinball fantastic journey cue orrent pdf#
- Pro pinball fantastic journey cue orrent tv#
- Pro pinball fantastic journey cue orrent windows#
The films appealed to me as “pure cinema,” popular fare that, like American Westerns and gangster movies of the 1930s, seemed to have an intuitive understanding of the kinetics of movies.
Pro pinball fantastic journey cue orrent tv#
I caught a Jackie Chan here, a Tsui Hark there, and cable TV yielded up oddities like Shaolin Kung-Fu Mystagogue. During the 1980s, while writing about Hollywood cinema and film theory and the films of Yasujiro Ozu, I occasionally checked in on Hong Kong cinema. At the same time, during trips to Europe, I caught up with King Hu’s exhilarating masterworks. A few years later in Richmond, Virginia, I saw Bruce Lee’s Game of Death, a film of such surpassing oddness that I screened it for my film theory class. Not long afterward I saw Enter the Dragon. What had brought me here? In the fall of 1973, soon after I had started teaching at the University of Wisconsin, I went to see Five Fingers of Death paired with The Chinese Connection in the dilapidated Majestic Theatre. On the esplanade, couples loitered and tourists snapped photos of the great contrivance shining across the water. I picked up smells too-the pungent “fragrant harbor” that gave the colony its name, the odor of floor wax from the lobby of the Centre. This view may be Hong Kong’s greatest work of art. Everything was reflected in the bay, not in perfect outline but in thousands of red, blue, and gold highlights broken by the ferries and barges thatĬrisscrossed your line of sight. Behind these, misty green hills rose to the Peak. Here were skyscrapers spread out carefully, as if designed to lead your eye from the spiky profile of the Bank of China to the NeoDeco Central Plaza and soon enough to the gigantic glowing signs for Citizen and San Miguel. As with all legendary views, the postcard version is too cramped. That first night, though, I was behind the Centre staring at the skyline of Hong Kong Island across the harbor.
The Centre is less popular for its museums and theaters, I suspect, than for its tranquillity later I would discover that every day families fresh from the Marriage Registry gather in front of a fountain there for photographs, the bride dazzling in a white gown and perhaps clutching a Snoopy handbag. Among the cool columns of the Cultural Centre, at the tip of the peninsula, people shift gears. “Copy watch?” “Sir! Where are you from, sir? Are you thinking of a suit?” To cross from Nathan Road to Salisbury Road, the street that runs along the harbor, is to leave most of the turmoil behind. Occasionally a man would try to pull me out of the commotion. Their passengers, people shouted amiably at one another. The noise was overwhelming: buses screeched to discharge Planet Hong Kong
Pro pinball fantastic journey cue orrent windows#
There were plenty of tourists: big German and Australian couples appraised cameras and Discmen in shop windows while American students rummaged through a cart of bootleg CDs. Drifting with the crowd, I sauntered among old men walking gravely with hands clasped behind their back, executive men and women hollering into bricklike cell phones, matrons strolling four and five abreast, children trotting along in shorts and suspenders, slender boys in white shirts and blue trousers, girls with dyed auburn hair and knapsack purses strapped to their backs. Columns of Chinese characters several stories high, blazing crimson or gold, stretched alongside more familiar names: Toshiba in silver and red, an aqua OK signaling karaoke. (An Australian pilot is supposed to have described the trip as eight hours of sheer boredom followed by eight minutes of sheer terror.) This magnificent arrival is impressed in my memory too, but the real thrill came later, when on a sultry March night I wandered along Nathan Road, staring up at a forest of towering neon. SOME OF THE best books on Hong Kong start with the author flying in to the old Kai Tak airport, the jumbo jet nearly scraping the rooftops of Kowloon City before wheeling around sharply to land. 186 Not So Extravagant, Not So Gratuitously Wild: Infernal Affairs. 166 Romance on Your Menu: Chungking Express. 127 Three Martial Masters: Chang Cheh, Lau Kar-leung, King Hu. 114 Motion Emotion: The Art of the Action Movie. 51 Enough to Make a Strong Man Weep: John Woo. 17 Two Dragons: Bruce Lee and Jackie Chan. v 1 | All Too Extravagant, Too Gratuitously Wild.
Pro pinball fantastic journey cue orrent pdf#
This e-book is for sale at If you obtained this PDF from a source other than an authorized sales download, the author would be grateful if you would visit to purchase your own copy.Ĭopyright 2010 by David Bordwell All rights reserved Printed in the United States of America Edited and designed by Meg Hamel Library of Congress Cataloguing-in-Publication Data ISBN 978-0-983 PN1993.5HĬontents Preface. Second edition Irvington Way Institute Press Madison, Wisconsin 2011 Planet Hong Kong Popular Cinema and the Art of Entertainment
0 kommentar(er)
